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Jigoro
Kano and Kyuzo Mifune - judo in person
Two biographies
1.
Jigoro Kano (嘉纳治五郎)
(1860-1938) founder of judo and a gentleman
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Every movement has its man. Judo owes
much, perhaps all, to Jigoro Kano. Born October 28, 1860, at Mikage, he
was the third son of Jirosaku Kano, Director of Naval Stores for the
Tokugawa Shogunate. A frail youth, at the age of 16 he began a study of
the various schools of Jujutsu, baseball, rowing, gymnastics, and other
sports. An inherent nimbleness coupled with an alert and questioning
mind led him to excel in most athletic endeavors.
He studied politics and literature at Tokyo Imperial University,
which was then the only university in Japan. University graduates were
few in that period, and when Kano graduated he found himself a member of
a select elite. However, he did not act the part. Most graduates
affected gold watches, gold-rimmed spectacles, and other luxuries. Not
Jigoro Kano. He graduated in 1881 and immediately gave almost his full
energies to Judo. He dressed modestly and had no time for pretense in
dress or manners. It is reported that many people said of him: 'Kano may
not be a fool, but he is certainly original'.
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Kano and Mifune
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Hachinosuke Fukuda, a teacher of
Tenjin-Shinyo school, was one of young Kano's first teachers. (...) One
of Fukuda's top pupils, Fukushima, a burly 170-pounder, delighted in
smashing the 105-pound Kano about the mat. Kano determined to beat this
terror. He studied European wrestling and Japanese sumo secretly,
combined some of the elements of each and one day brought off what is
today kataguruma (shoulder wheel) on his amazed opponent. Keeping
balance as a focal hip point, he soon had a goshi (hip) technique that
swept the field. Not content with this he elaborated, added,
systematized. He introduced leg movements, which had had no vogue in
Jujutsu After 1900 as a result of defeats incurred by Kodokan experts at
the hands of the jujutsu-ka Tanabe in katamewaza (ground arts), he was
instrumental in bringing this branch of the art in for its share of
attention. Previously priority had been given tachiwaza (standing arts).
Today both have their advocates.
He started his first club [the Kodokan] in 1882 at Eishoji Temple. In
his efforts to systematize the myriad Jujutsu methods into a workable
sport, he incurred the displeasure of many who felt that those remnants
of an obsolete political-social system would be better off forgotten.
Although Kano was a modernist, he believed that the old traditions,
where functional, should be utilized in the new era and not be
destroyed. The popular feeling against the martial arts in this
transition period is seen in a remark of Kano's landlord, the Abbot of
Eishoji Temple: 'Mr. Kano is a man of great and matured character. The
only fault I find in him is his liking for Jujutsu'.
Through these early years when Judo was developing at the expense of
Jujutsu, Kano rose in the educational field. He lectured at various
schools and colleges and was appointed Principal of the Tokyo Higher
Normal School. In 1889 he traveled to Europe for the first time as
attaché' to the Ministry of the Imperial Household, and represented the
Ministry of National Education in China in 1902 and in 1905. With such a
fast rise in government service and the arduous effort which it must
have taken, it is amazing that he was able to put any effort towards
Judo. The fact that he was able to create Judo and stimulate it to
speedy and great development coincident with his duties as an educator
attests to his being a whole man, physically and mentally.
Kano had great organizational talent. He built a nucleus of first-rate
judoka around himself, exhorted the Jujutsu masters to adopt his
methods, and by firm but gracious example saw the movement flourish. His
idea of education was not by teaching alone but by influence, that is,
good example. His first students, chiefly Yamashita, Isogai, Yokoyama,
Saigo, Suzuki, Nagaoka, Mifune, and Tomita, emulated him and carried his
teaching and example throughout Japan.
As a teacher of Judo he appears to have been human. while one writer
recalls that he was a strict taskmaster who went about the dojo (club)
urging those resting and conversing to be up and about active practice,
another student remarks - with an apparent pang of conscience - that the
class was sometimes very noisy and disorderly and that their sensei
(teacher) often had trouble in quieting it.
Judo progressed and the time came when students no longer told their
parents they were going to Mr. Kano's literature class (an earlier
deception) but were able to tell them the truth. In the first decade of
the 20th century Judo became a part of the curriculum of all middle
schools and colleges.
Kano traveled extensively after 1909 to Europe and America. In 1911 he
became the first president of the Japan Society of Physical Education
and in the following year took two players to Stockholm for the fifth
Olympiad. Indeed, he made eight trips as an Olympic representative and
always likened the ideals of Judo to those of the Olympic Games. He sent
Yamashita in 1902 to teach Judo in America, and other pupils to Europe.
Many stories have been written about Kano's use of Judo. There is not
one about his abuse or misuse of it. In 1889 aboard a French steamer in
the Indian Ocean he easily threw a huge Russian who had taunted him, and
pillowed the Russian's neck before his body crashed into the deck,
thereby saving him from injury. For the remainder of the journey the
Russian was his most humble pupil. Another time an Englishman averred
that while Judo might have some value, it could not work against a
boxer. With this, the Englishman assumed a boxing stance. Kano threw a
handkerchief into the man's face and in the same motion rocked him off
balance, performing the tsukuri of ukigoshi, and then released him
without throwing - and possibly injuring - him. And in his
demonstrations throughout the world he often met those who attempted to
thwart him. One such person was to act submissively as receiver in a
choking demonstration. Once on stage, however, he felt expansive and
began bulling the tiny Kano about the mat. We draw a veil on what
followed ...
Besides his official duties as an educator and his administration of
Japanese sport, Kano was a philosopher. He believed that two principles
firmly fixed Judo: (1) Seiryoku zenyo, maximum efficiency with minimum
effort, and (2) jita kyoei, mutual prosperity. By being efficient and by
being helpful he felt that one could not only become a better athlete
but also a more complete man. This was the basis of his teaching. These
formulae inspired him in his work toward an international language -
this, prior to the Esperanto vogue - and the standardization of Romaji
transliteration (Kokutei Romazi), the latter for the Japanese government
in 1937.
He was a sad man in the thirties when militarism in Japan was on the
upsurge, and pulled his Judo and Olympic duties about him as a cloak. He
dearly longed for international amity as expressed in the Olympic Games.
If he failed in thwarting the war party, he did so, as Thoreau said, 'by
making his failure so tragic by courage, that it did not differ from
success.' He died at sea in May, 1938, aboard the Hikawa Maru while
returning from the Cairo International Olympic Conference. Truly, he as
a many-sided man: an educator, fighter, and philosopher - but always a
gentleman. He ex-emplified the words of Jeffrey Farnol: 'A gentleman is
one born with the God-like capacity to think and feel for others,
irrespective of their rank or position ... one who possesses ideal so
lofty, a mind so delicate, that it lifts him above all things ignoble
and base, yet strengthens his hands to raise those who are fallen - no
matter how low'."
A Short biography on Dr.
Jigoro Kano, the founder of Judo; from: RW Smith: 'A Complete Guide To
Judo: Its Story and Practice.' In: R.W Smith: 'A Complete Guide To Judo:
Its Story and Practice. " Charles E. Tuttle, 1958,
page 21-25.
See also:
bstkd.com/JudoHistory/HistoryKano.htm
2.
Kyuzo Mifune
(三船久蔵)
(1883-1965)
The ideal pupil
To top
The
application in the way
The application of the principles of
seiryoku zenyo had particularly practical consequences. The energy must
be expressed in life. Jigoro Kano had the capacity to adapt a complex
theory (which he had distilled from a martial art) and apply it to new
principles for a new way in the dojo. The great widening of the
theoretical principles, which have been given to the Japanese
educational- and martial-arts culture, led to the beginnings of judo and
the foundation of the Kodokan. A new way, with balanced techniques and
strong moral principles. A way with goals on the basis of inner strength
and gentleness.
1.
From Jujutsu to judo
Jigoro Kano developed the judo thoroughly
different from Jujutsu schools existing in his time in Japan. Thus we
have the first difficulty. Jujitsu? Jujitsu? What Jujutsu?
The history of Jujutsu is a constant
development in itself. Information about it we can find on
wikipedia
(English)
What Mitesco cares about, is the inner core
of the transition, as Jigoro Kano saw it. Kano himself was not at all
against Jujutsu. He criticizes in his writings the image-building around
Jujutsu, as if they would just fight for violence, and use dangerous
techniques. But meanwhile, it was a perception that seemed largely true.
Of course, Jigoro Kano saw from his own
experience that Jujutsu has the combat as its primary objective . It was
a martial art, with the skill (jitsu) as the means to the goal of
surviving. Yes, there were Jujutsu schools where the death of the
partner in the combat was incalculated. That was of course never
acceptable for Kano.
But Kano was in the first place also a
teacher, a philosopher, an idealist. An outstanding personality, in
terms of civilization and intellectual skill. Exactly that is the key to
understand why the name Jujutsu was replaced in the end. Kano confirms
that in good Jujutsu training many elements of physical education can be
found. Indeed, all body parts are practiced during training. It also has
a number of moral and spiritual values in it. He also says: "Although it
is not without its flaws, when we consider Jujutsu as a whole, it is
nevertheless a truly valuable cultural heritage, and one that must be
preserved." (Mind over Muscle, p. 17)
The idealist Kano therefore initially tried
to believe that only on a number of points should be improved in
Jujutsu, to create a coherent method of physical, intellectual and moral
education. Kano not only practiced the Jujutsu; he studied all the
elements to come to the conclusion ... that it was time for another way.
For his analysis went beyond the mere martial art.
The Jujutsu at the time of Jigoro Kano was
not one system of martial arts, and although some progress could be
detected, it was just not enough. The old Jujutsu was just too
conservative, and the young professor Kano was far too progressive in
order to be able to keep to the old Jujutsu masters. Many Jujutsuschools
were in his eyes 'uncivilized'. Kano was irritated for example, about
tournaments between Jujutsuka and sumo-wrestlers, and performances for
making money. He considered that "prostituting a martial art", and he
found it disgusting. That was one reason for the new name. In addition
to all valuation, he realized that the old Jujutsu couldn't be saved.
The second reason was indeed the classic
Jujutsu techniques and the practice in schools. There was quite a
disorder in the classes, dangerous and raw techniques were practiced in
uncivilized ways. Good theoretical education of techniques was rare -
which was not suited to the traditional Japanese educational culture
with a sensei in which the master learned techniques by deeds
instead of words.
The image of Jujutsu was not good: it was
more common for training streetfighters, then what the name itself
means: a "gentle skill".
The third reason for the new name was even
more fundamental. Gradually Kano had experienced that jujutsuka's had
little attention for any other purpose than the techniques. Possibly
they did not only physically behave brusquely towards Kano, but also
received his ideas with laughter. The proud Japanese describes this
obviously not in his classes, but if the Kodokan will ever publish the
diaries, we could speculate on such experiences. We could also say that
Kano was too intelligent just to keep it to martial techniques. He was
the professor in spe, who had such a broad vision on Japan and the
entire world, that his goals were previously hampered by an excess of
love for fighting. He explained in other words, its purposes simply a
way beyond. Jujitsu came intentionally no further than the combat. Kano
saw that combat was not more than a means - and not even a main. The aim
of Kano was higher: a perfect world. His way was the most efficient use
of energy, the ability to form an ideal. At the end of life someone
should have contributed something to development, civilization,
improvement of mankind. Between the exercise and that purpose doesn't
lay combat, but a way that spans years. A lifelong pilgrimage. A do.
"There
were various reasons why I chose not to use the term “jujutsu,” which
described what was ordinarily practiced, and instead employed the name
“judo.” The main reason was that “do” (way) is the major focus of what
the Kodokan teaches, whereas “jutsu” (skill) is incidental. I also
wanted to make clear that judo was a means of embarking on the do."
(Mind over Muscle, p.19 - view note
about the name 'judo', see below)
Judo was for Kano a way of life. He was
risen above the Jujutsu.
That life had to lead to a school where that
road used to be teached: the Kodokan.
While the old form, jujutsu, was studied solely for fighting purposes,
Kano's new system is found to promote the mental as well as the
physical faculties. While the old schools taught nothing but practice,
the modern Judo gives the theoretical explanation of the doctrine, at
the same time giving the practical a no less important place.
T. Shidachi, 1892, at
judoinfo.com.
I therefore spent several years developing my ideas, and finally
established Kodokan Judo. I did this by thoroughly researching the
jujutsu that had existed up until that time as much as possible,
keeping what I felt should be kept, discarding what I felt should be
discarded, thoroughly studying the techniques and theories, and
establishing them in a way that would be most applicable to today's
society
Jigoro Kano
Mind over Muscle, p18.
Jujitsu: the art of
self-protection.
Jujitsu: the art of
self-protection.
Judo: the art of
self-perfection.
Judo: the art of
self-perfection.
(Note:) According to Niehaus Kano referred
to the naming of judo back to a term that already in 1714 was used for
the first time in a Jujutsuschool. In the own words of Kano: "to honor
the merits of the predecessors." (Andreas Niehaus: Leben und Werk Kano
Jigoros (1860 - 1938) page 210)
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At the age of 22 (1882) Jigoro Kano
opened in Tokyo its own school, and called it the Kōdōkan. Kō
means studying; dō is the way; kan is a public place,
a hall. We could say the Kodokan is the place where the way is
studied.
First the dojo was located in a small
Buddhist temple, the Eishoji (right). That may seem strange. Yet it
is the most original environment for judo. According to Jigoro Kano
the dojo is a place of peace and purity, clean and orderly. "We
should remember that the word 'dojo' comes from a Buddhist term
referring to the "place of enlightenment." Like a monastery, the
dojo is a 'sacred place' where people come to perfect mind and
body. " (Jigoro Kano: Kodokan Judo, p.26)
The most important is the spiritual
building. |
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Kyuzo Mifune writes about it:
"Maximum-efficient use of
power". That's how Master Kano himself described Kodokan judo. If you
simply ask: "What is judo?" the answer is revealed in the meaning of
the Chinese characters' ju no michi "(meaning : the way of ju). This
means conforming with nature and the true principles of the universe.
It is the path all humans must walk. Master Kano also explains the
essence of ju: "Ju is a beautiful concept conforming to logic, virtue
and splendor, it is the reality of what is true, good and beautiful.
The expression of Judo through technique, which is acquired by
technical training based on scientific study." Judo is the pursuit of
the one truth expressed in human movement, with the harmony of spirit
and body.
(The Canon of Judo, p21)
Jigoro Kano says:
Judo began with the study
of martial arts, and then it gradually became clear that it could be
applied to physical education, intellectual training, moral education,
social interaction, management and people's everyday lives. Some
people believe that judo simple means practicing at the dojo. (...)
(...) Though it is certainly one aspect of judo, it is only a small
part of it. With Judo, in every endeavor you must imagine the best
goal and use your mental and physical energy in the most effective
manner in order to accomplish that goal - put simply: seiryoku zenyo
is that what today's Judo is. For that reason judo is not merely a
martial art, but more the basic principle of human behavior.
Mind over Muscle p.77
Where did all this came
from? Jigoro Kano was a man who melted things like: religion,
philosophy, martial arts. East and West, it did not matter, as long as
it's practical experience and practicable. He was a real syncretist, but
despite the diverse sources of the Kodokan judo is his way a clear
concept:
Kano felt a natural
synthesis between his Japanese old culture, Chinese philosophy, and
Western sport theory. After he opened his school at Eishoji Temple, he
named his style Kodokan Judo, to not only distinguish it from ju jitsu
and earlier judo schools, but to emphasize that this was something
new: a martial art that stood for a martial philosophy consistent with
ancient Chinese concepts of Taoist concepts of daily life, and, as
importantly, a philosophy based upon European ideas of societal
progress by individual endeavor. "We all go forward together" was an
idea that Kano readily embraced, and expressed as a guiding principle
"Jita kyoei," literally, "going forward, shining together." This was
not a concept with tangible roots in any Oriental system of
philosophy. Reorganizing ju jitsu principles into an efficient,
scientific method of movement, he added the physical principle of
maximum efficiency, minimum effort, as "Seiryoku zenyo." This too,
appears to have come from English philosophy, although it blended
nicely with Taoist thoughts Kano found in Chinese literature.
Daigaku Judo Dojo MT USA
That is Kodokan judo: Seiryoku Zenyo
as a means and Jita Kyoei as the purpose. A radically new way.
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a.
Kodokan judo: the way of the spirit
and the goal
About the complete
history of the Kodokan exists an excellent web page. We recommend the
Daigaku Judo Dojo at the University of Montana ...
(Click on the image right) The following text has been taken
from this webpage
The way |
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The "Do" ending had
enormous philosophical meaning. It was Japanese for the Chinese word
"Tao." The Do form of martial art was a new concept. In place of older
accumulations of technical skills, Judo linked these technical
applications to the idea of philosophy and ethical application. The idea
in Tao was to create a "natural man" free of prejudices, but bound by
the development of character. Training in a prescribed manner toward a
specific ideal of human behavior would elevate both the human and the
human society. Adherents of Tao were to seek understanding of the whole
of life through the intensive study of a segment of it, sensing and
experiencing nature. Self-perfection, the goal of Tao, was ultimately a
Zen concept: of experiencing being the means to enlightenment, rather
than attempting to substitute intellectual analysis for profound
experience.
The
physical experience, then, was useful in this quest only when it
became natural, uninhibited, and spontaneous. Kano saw in British
Philosopher Herbert Spencer's ideas of mutual effort in society to
create a better society the modern, practical expression of these
ancient Chinese concepts, and "mutual welfare and benefit" was a natural
expression of how Kano believed individuals in society should function.
Judo was meant, in its most basic elements, to be a physical expression
of an ideal human society.
note
(see also menu 'jita kyoei')
Kuzushi - the
fundamental difference
But Kano also saw in ju
jitsu the antithesis of his concept of Do. Jujitsu was an amalgam of
ideas and technical skills. The execution of the skills themselves often
required either great strength, or superior leverage. In either case,
damage, injury, disability and even death were not necessarily
intentional, but plausibly accidental outcomes of the confrontational
nature of the techniques themselves. Kano understood the idea of Kuzushi
-- off-balancing prior to the execution of a technique -- had made a
profound difference in both the manner and the strength necessary to
execute a technique. Strong contenders suddenly became relatively weak
when off-balanced. Iikubo, the jujitsu master, had been thrown easily
when kuzushi was applied. (...) Kano, the Chinese literature specialist,
looked back to Lao Tzu for inspiration; a two thousand year old guide to
create a new martial system.
"Off-balancing." It was a new concept. Although it had undoubtedly been
used before, no one had recognized it as an organizing principle.
"Kuzushi." It was one of those "moments" of revelation brought about by
years of hard work, sweat, study, and realization. Suddenly,
the real meaning of "ju" became apparent, and much more obvious. The
word "ju" had been applied to a myriad of physical styles and
techniques, before the true physical nature of the concept was
discovered. "Ju" was effective particularly when "kuzushi" was used. Ju
and kuzushi are not the same thing. Ju is a strategy. Kuzushi is a
tactic. Kano found a most effective tactic to implement the strategy.
(See also menu kuzushi)
Summary by Mitesco
In summary, we can say
what was distinctive of the Kodokan judo-compared with Jujutsu?
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Syncretism, fusion of
Jujutsu technique with Taoist philosophy and English utilitarianism -
which led to a new and peaceful way as a means to the maximum efficiency
in energy, and balance between mind and body.
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Ideas of seiryoku zenyo
and jita kyoei as principles of ethical and practical action -
broadening of the martial element to a global form of coexistence and
perfection.
-
Application of Kuzushi
as the principle of martial art with seiryoku zenyo: soft technique wins
against power.
Judo is the way of the highest or most efficient use of both physical
and mental energy. Through training in the attack and defense
techniques of judo, the practitioner nurtures their physical and
mental strength, and gradually embodies the essence of the Way of
Judo. Thus, the ultimate objective of Judo discipline is to be
utilized as a means to self-perfection, and thenceforth to make a
positive contribution to society..
("Kodokan Judo Gaisetsu"
(summary of Kodokan Judo), 1915)
To top
More about Kodokan-judo and dojo-training: "The Way of Seiryoku
Zenyo-Jita Kyoei and Its Instruction" By Shinichi Oimatsu (Kodokan) The
Bulletin for the Scientific Study of Kodokan Judo, Volume VI, 1984.
Link:
judoinfo.com.

Jigoro Kano in front of the Kodokan
講道館
in Tokyo
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NOTE
TO THE ETHICS OF HERBERT SPENCER
Spencer adopted a utilitarian standard of absolute value: the greatest
happiness of the greatest number of people. The completion of the
evolution (Spencer was except ethicist also Darwinist-sociologist and
admired the principle of "the survival of the fittest") was maximizing
utility. In a perfect society, individuals would not only delight (the
highest purpose of the utilitarists) experienced by the exercise of
altruism ('positive charity'), but also try to avoid suffering to others
to do ('negative charity). They had to respect instinctively the rights
of others, and that leads to the general maintenance of the principle of
justice.
Spencer had influence on the Japanese philosopher Tokutomi Soho, who
believed that Japan was on the edge of becoming from a "military
society" into an "industrial society", and that it was necessary to take
over Western ethics.
Jigoro Kano took a part of that reasoning into the description of the
jita kyoei. We see his concerns about politics come back in his
writings. What he did not take over from utilitarianism was the absolute
standard of joy. Kano was too much in the spiritual school of Tao taught
to enjoy the wicked (and wasting of energy) and let it to be justified.
He therefore adopted the terms and social goals, and filled it with
absolute standards of virtue and definitions of good and evil (which
true utilitarists don't.)
utilitarianism = philosophical ethics, that describes the moral value of
transactions in terms of utility (Latin 'utilis') for the whole.
Normally this means that an utilitarist strives to promote what is the
highest attainable happiness of mankind.
back to the text in the menu 'Seiryoku'.

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