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Jigoro
Kano und Kyuzo Mifune - Judo in eigener Person |
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Biographie
1.
Jigoro Kano (嘉纳治五郎)
(1860-1938)
Gründer des Judo,
Gentleman
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"Jede Bewegung hat ihren Menschen. Judo verdankt Jigoro Kano viel,
vielleicht alles. Geboren am 28. Oktober 1860, in Mikage. Er war der
dritte Sohn von Jirosaku Kano, Direktor des Naval Stores für die
Tokugawa-Shogunate. Eine gebrechliche Jugend. Im Alter von 16 Jahren
begann er eine Studie über die verschiedenen Schulen des Jujutsu,
Baseball, Rudern, Gymnastik und andere Sportarten. Eine innere
Leichtigkeit verbunden mit einer Warnung und fragendem Verstand führte
ihn dazu, sich in den meisten sportlichen Bemühungen noch zu übertreffen
Er studierte Politik und Literatur an der Tokyo Imperial University, der
einzigsten Universität in Japan. Hochschulabsolventen gab es nur wenige
in dieser Zeit und wenn Kano studierte, fühlte er sich als Mitglied
einer Elite. Allerdings war er nicht Teil der Handlung. Die meisten
Absolventen besaßen Golduhren, goldumrandete Brillen und andere
Luxusartikel. Nicht so Jigoro Kano. Er promovierte im Jahre 1881 und
anschließend galt seine ganze Energie dem Judo.
Er war bescheiden gekleidet und hatte keine Zeit etwas Vorzutäuschen
mittels Kleidung oder Manieren. Es wird berichtet, dass viele Menschen
über ihn sagten: "Kano ist kein Narr, aber er ist sicherlich ein
Original".
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Kano and Mifune
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Hachinosuke Fukuda, ein Lehrer von Tenjin Shinyo-Schule, war einer der
ersten jungen Lehrer Kano's. (...) Einer der Top-Fukuda Schüler,
Fukushima, ein Kerl von 80 kilo Gewicht, hatte Freude daran, die 48
kilo Kano auf die Matte zu schmettern. Kano war entschlossen, diesen
Terror zu zerschlagen.
Er studierte heimlich europäisches und japanisches Sumo-Ringen,
kombinierte einige der Elemente und eines Tages wandte er, was man heute
Kata Guruma (Schulter-Rad) nennt zum Erstaunen seines Gegners an. Um
über den Hüftschwerpunkt das Gleichgewicht zu halten, hatte er sich bald
eine Goshi (Hüft) Technik angeeignet, mit der er das Feld fegte. Nicht
zufrieden mit dem was er erarbeitet hatte, fügte er hinzu und
systematisierte.
Er führte Fußtechniken ein, die im Jujutsu nicht in Mode waren.
Nach 1900 als Folge der Niederlage von Tanabes JuJutsuka in Katame Waza
(Boden Kunst) gegen die Kodokan Experten, waren sie hilfreich um in
dieser Branche der Kunst für Aufmerksamkeit zu sorgen. Vorher hatte
Tachi Waza (Stehende Kunst) Prorität. Heute werden beide vertreten.
Er eröffnete seinen ersten Club [Kodokan] im Jahr 1882 am Eishoji
Tempel. In seinen Bemühungen um eine Systematisierung der unzähligen
Jujutsu Methoden in einen praktikablen Sport, bekam er den Unmut vieler
Personen zu spüren, die der Ansicht waren, dass die Reste von einem
überholten politisch-gesellschaftliche System besser vergessen wären.
Obwohl Kano eher fürs Moderne war, glaubte er, dass die alten
Traditionen, welche funktionierten, in der neuen Ära genutzt und nicht
zerstört werden sollten. Die populäre Meinung gegen die Kampfkünste in
dieser Übergangsphase zeigt eine Bemerkung von Kano's Vermieter, dem Abt
vom Eishoji Temple: "Herr Kano ist ein Mann von großem und reifem
Charakter. Den einzigen Fehler den ich an ihm finde ist seine Vorliebe
für Jujutsu.
In diesen frühen Jahren, als Judo auf Kosten des Jujutsu in der
Entwicklung war, stieg Kano in den Bildungsbereich ein. Er lehrte an
verschiedenen Schulen und Hochschulen und wurde zum Principal der Tokyo
Higher Normal School.
Im Jahre 1889 reiste er zuerst nach Europa als Attache an das
Ministerium des kaiserlichen Haushalt und vertrat dann 1902 und 1905 das
Ministerium für Nationale Bildung in China.
Bei solch einem schnellen Aufstieg in der Regierung und all den mühsamen
Anstrengungen, ist es erstaunlich, dass er in der Lage war, sich
weiterhin um das Judo zu bemühen.
Die Tatsache, dass er in der Lage war es zu schaffen, Judo schnell und
gut zu entwickeln, sowie gleichzeitig seiner Tätigkeit als Erzieher
nachzugehen, zeugt von ihm als ganzen Menschen, körperlich und geistig.
Kano hatte großes organisatorisches Talent. Er baute einen Kern aus den
ersten Judokas um sich, ermahnte die Jujutsu Meister seine Methoden zu
übernehmen, ging entschlossen aber freundlich mit Beispiel voran und sah
wie die Bewegung aufblühte. Seine Idee der Bildung, nicht durch den
Unterricht allein, sondern durch Einfluss, war ein gutes Beispiel. Seine
ersten Studenten, vor allem Yamashita, Isogai, Yokoyama, Saigo, Suzuki,
Nagaoka, Mifune, und Tomita eiferten ihm nach und zeigten seinen
Unterricht und seine Beispiele überall in Japan.
Als Lehrer für Judo erschien er sehr menschlich. Während sich ein
Schriftsteller daran erinnerte, dass er ein strenger Zuchtmeister war.
Wenn er durchs Dojo ging, drängte er zur Ruhe und führte Gespräche über
aktive Praxis. Ein anderer Student bemerkte, scheinbar mit
Gewissensbisse, dass die Klasse manchmal sehr laut und unordentlich war
und ihre Lehrer oft Probleme hatten, ruhig zu bleiben.
Das Judo schritt fort und die Zeit kam, an dem die Studenten nicht mehr
ihren Eltern erzählten, sie wären auf dem Weg zu Mr. Kano's
Literatur-Klasse (früher Täuschung), sondern in der Lage waren, ihnen
die Wahrheit zu sagen. In der ersten Dekade des 20. Jahrhunderts wurde
Judo ein Teil des Lehrplans für alle mittleren Schulen und Hochschulen.
Kano reiste 1909 ausgiebig nach Europa und Amerika. Im Jahre 1911 wurde
er zum ersten Präsidenten der Japan Society of Physical Education
gewählt und im darauf folgenden Jahr nahm er zwei Spieler mit nach
Stockholm für die fünfte Olympiade.
Tatsächlich machte er acht Fahrten als Vertreter der olympischen
Representative und immer verglich er die Ideale des Judo mit denen der
Olympischen Spiele. Er schickte Yamashita 1902 nach Amerika und andere
Schüler nach Europa, um dort das Judo zu lehren.
Viele Geschichten wurden über die Verwendung von Kano Judo geschrieben.
Es gab nicht eine Beschimpfung oder gar Missbrauch.
1889 an Bord eines französischen Dampfer im Indischen Ozean warf er
einfach einen riesigen Russen, welcher ihn verhöhnt hatte und stützte
seinen Hals, bevor sein Körper aufs Deck schlug, womit er ihm eine
Verletzung ersparte. Für den Rest der Reise war der Russe sein
bescheidenen Schüler. Ein anderes Mal behauptete ein Engländer, dass
Judo vielleicht einen Wert hätte, aber gegen einen Boxer könne es nicht
funktionieren. Davon ausgehend, nahm der Engländer eine Boxhaltung ein.
Kano warf ihm ein Taschentuch ins Gesicht und mit der gleichen Bewegung
brachte er ihn aus dem Gleichgewicht, führte die Tsukuri des Uki Goshi
aus ohne ihn zu werfen, denn womöglich hätte er ihn dann verletzt.
Und bei jeder Vorführung, überall in der Welt, begegnete er Leute die
versuchten, ihm in den Weg zu treten. Eine solche Person sollte zum
Beispiel Uke sein, bei so einer Vorführung von Würgetechniken. Kaum auf
der Bühne, wie auch immer, fühlte er sich stämmig und begann wie ein
Stier über den winzigen Kano auf der Matte herzufallen. Wir ziehen einen
Schleier über das was folgte ...
Neben seinen offiziellen Pflichten als Erzieher und seiner Verwaltung
des japanischen Sports, war Kano ein Philosoph.
Er war der Meinung, dass zwei Prinzipien das Judo festlegten: (1)
Seiryoku zenyo, maximale Effizienz mit minimalem Aufwand und (2) jita
kyoei, Gegenseitige Hilfsbereitschaft zum Wohlbefinden für Alle.
Durch die Effizienz und Hilfestellung, fühlte er, dass man nicht nur zu
einem besseren Athleten, sondern auch zu einem komplett besseren
Menschen wird.
Dies war die Grundlage seiner Lehre.
Diese Formeln inspirierten ihn in seiner Arbeit auf eine internationale
Sprache - dieses war Esperanto - und der Standardisierung der Romanji
Transkription (Kokutei Romazi), der letzten für die japanische Regierung
im Jahr 1937.
Er war ein trauriger Mann in den dreißiger Jahren, als der Militarismus
in Japan Einzug hielt und zog seine Judo-und Olympia-Aufgaben über sich,
wie einen Umhang.
Er sehnte sich sehr nach der internationalen Freundschaft, die in den
olympischen Spielen zum Tragen kam.
Als er im Durchkreuzen der Kriegspartei versagte, tat er so, wie Thoreau
sagt: “machte es sein Versagen nicht so tragisch wegen seinem Mut, so
dass es sich in nichts unterscheidet zum Erfolg.”
Er starb auf See im Mai 1938, an Bord der Hikawa Maru, während der
Rückkehr von der Internationalen Olympia-Konferenz in Kairo. Er war
wahrhaftig ein vielseitiger Mann: Ein Erzieher, Kämpfer und Philosoph -
aber immer ein Gentleman.
Er veranschaulichte die Worte von Jeffrey Farnol: "Ein Gentleman ist ein
Geborener mit göttlicher Kapazität zu denken und zu fühlen für andere,
unabhängig von ihrem Rang oder Position ... einer, der Ideale besitzt,
so erhaben, einen Geist, so fein, dass es ihn über alle unedle und
gemeine Dinge erhebt und dennoch stärkt seine Hände, um diejenigen, die
gefallen sind, egal wie niedrig, hoch zu helfen..
Eine Kurzbiographie von
Dr. Jigoro Kano, dem Gründer des Judo, in: R.W.Smith: Creator of Judo,
Gentleman. In: R.W. Smith: 'A
Complete Guide To Judo: Its Story and Practice.' Rutland and Tokyo:
Charles E. Tuttle, 1958, Seite 21-25. Übersetzung: Norbert Bosse.
See also:
bstkd.com/JudoHistory/HistoryKano.htm
2.
Kyuzo Mifune
(三船久蔵)
(1883-1965)
The ideal pupil
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The
application in the way
The application of the principles of
seiryoku zenyo had particularly practical consequences. The energy must
be expressed in life. Jigoro Kano had the capacity to adapt a complex
theory (which he had distilled from a martial art) and apply it to new
principles for a new way in the dojo. The great widening of the
theoretical principles, which have been given to the Japanese
educational- and martial-arts culture, led to the beginnings of judo and
the foundation of the Kodokan. A new way, with balanced techniques and
strong moral principles. A way with goals on the basis of inner strength
and gentleness.
1.
From Jujutsu to judo
Jigoro Kano developed the judo thoroughly
different from Jujutsu schools existing in his time in Japan. Thus we
have the first difficulty. Jujitsu? Jujitsu? What Jujutsu?
The history of Jujutsu is a constant
development in itself. Information about it we can find on
wikipedia
(English)
What Mitesco cares about, is the inner core
of the transition, as Jigoro Kano saw it. Kano himself was not at all
against Jujutsu. He criticizes in his writings the image-building around
Jujutsu, as if they would just fight for violence, and use dangerous
techniques. But meanwhile, it was a perception that seemed largely true.
Of course, Jigoro Kano saw from his own
experience that Jujutsu has the combat as its primary objective . It was
a martial art, with the skill (jitsu) as the means to the goal of
surviving. Yes, there were Jujutsu schools where the death of the
partner in the combat was incalculated. That was of course never
acceptable for Kano.
But Kano was in the first place also a
teacher, a philosopher, an idealist. An outstanding personality, in
terms of civilization and intellectual skill. Exactly that is the key to
understand why the name Jujutsu was replaced in the end. Kano confirms
that in good Jujutsu training many elements of physical education can be
found. Indeed, all body parts are practiced during training. It also has
a number of moral and spiritual values in it. He also says: "Although it
is not without its flaws, when we consider Jujutsu as a whole, it is
nevertheless a truly valuable cultural heritage, and one that must be
preserved." (Mind over Muscle, p. 17)
The idealist Kano therefore initially tried
to believe that only on a number of points should be improved in
Jujutsu, to create a coherent method of physical, intellectual and moral
education. Kano not only practiced the Jujutsu; he studied all the
elements to come to the conclusion ... that it was time for another way.
For his analysis went beyond the mere martial art.
The Jujutsu at the time of Jigoro Kano was
not one system of martial arts, and although some progress could be
detected, it was just not enough. The old Jujutsu was just too
conservative, and the young professor Kano was far too progressive in
order to be able to keep to the old Jujutsu masters. Many Jujutsuschools
were in his eyes 'uncivilized'. Kano was irritated for example, about
tournaments between Jujutsuka and sumo-wrestlers, and performances for
making money. He considered that "prostituting a martial art", and he
found it disgusting. That was one reason for the new name. In addition
to all valuation, he realized that the old Jujutsu couldn't be saved.
The second reason was indeed the classic
Jujutsu techniques and the practice in schools. There was quite a
disorder in the classes, dangerous and raw techniques were practiced in
uncivilized ways. Good theoretical education of techniques was rare -
which was not suited to the traditional Japanese educational culture
with a sensei in which the master learned techniques by deeds
instead of words.
The image of Jujutsu was not good: it was
more common for training streetfighters, then what the name itself
means: a "gentle skill".
The third reason for the new name was even
more fundamental. Gradually Kano had experienced that jujutsuka's had
little attention for any other purpose than the techniques. Possibly
they did not only physically behave brusquely towards Kano, but also
received his ideas with laughter. The proud Japanese describes this
obviously not in his classes, but if the Kodokan will ever publish the
diaries, we could speculate on such experiences. We could also say that
Kano was too intelligent just to keep it to martial techniques. He was
the professor in spe, who had such a broad vision on Japan and the
entire world, that his goals were previously hampered by an excess of
love for fighting. He explained in other words, its purposes simply a
way beyond. Jujitsu came intentionally no further than the combat. Kano
saw that combat was not more than a means - and not even a main. The aim
of Kano was higher: a perfect world. His way was the most efficient use
of energy, the ability to form an ideal. At the end of life someone
should have contributed something to development, civilization,
improvement of mankind. Between the exercise and that purpose doesn't
lay combat, but a way that spans years. A lifelong pilgrimage. A do.
"There
were various reasons why I chose not to use the term “jujutsu,” which
described what was ordinarily practiced, and instead employed the name
“judo.” The main reason was that “do” (way) is the major focus of what
the Kodokan teaches, whereas “jutsu” (skill) is incidental. I also
wanted to make clear that judo was a means of embarking on the do."
(Mind over Muscle, p.19 - view note
about the name 'judo', see below)
Judo was for Kano a way of life. He was
risen above the Jujutsu.
That life had to lead to a school where that
road used to be teached: the Kodokan.
While the old form, jujutsu, was studied solely for fighting purposes,
Kano's new system is found to promote the mental as well as the
physical faculties. While the old schools taught nothing but practice,
the modern Judo gives the theoretical explanation of the doctrine, at
the same time giving the practical a no less important place.
T. Shidachi, 1892, at
judoinfo.com.
I therefore spent several years developing my ideas, and finally
established Kodokan Judo. I did this by thoroughly researching the
jujutsu that had existed up until that time as much as possible,
keeping what I felt should be kept, discarding what I felt should be
discarded, thoroughly studying the techniques and theories, and
establishing them in a way that would be most applicable to today's
society
Jigoro Kano
Mind over Muscle, p18.
Jujitsu: the art of
self-protection.
Jujitsu: the art of
self-protection.
Judo: the art of
self-perfection.
Judo: the art of
self-perfection.
(Note:) According to Niehaus Kano referred
to the naming of judo back to a term that already in 1714 was used for
the first time in a Jujutsuschool. In the own words of Kano: "to honor
the merits of the predecessors." (Andreas Niehaus: Leben und Werk Kano
Jigoros (1860 - 1938) page 210)
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At the age of 22 (1882) Jigoro Kano
opened in Tokyo its own school, and called it the Kōdōkan. Kō
means studying; dō is the way; kan is a public place,
a hall. We could say the Kodokan is the place where the way is
studied.
First the dojo was located in a small
Buddhist temple, the Eishoji (right). That may seem strange. Yet it
is the most original environment for judo. According to Jigoro Kano
the dojo is a place of peace and purity, clean and orderly. "We
should remember that the word 'dojo' comes from a Buddhist term
referring to the "place of enlightenment." Like a monastery, the
dojo is a 'sacred place' where people come to perfect mind and
body. " (Jigoro Kano: Kodokan Judo, p.26)
The most important is the spiritual
building. |
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Kyuzo Mifune writes about it:
"Maximum-efficient use of
power". That's how Master Kano himself described Kodokan judo. If you
simply ask: "What is judo?" the answer is revealed in the meaning of
the Chinese characters' ju no michi "(meaning : the way of ju). This
means conforming with nature and the true principles of the universe.
It is the path all humans must walk. Master Kano also explains the
essence of ju: "Ju is a beautiful concept conforming to logic, virtue
and splendor, it is the reality of what is true, good and beautiful.
The expression of Judo through technique, which is acquired by
technical training based on scientific study." Judo is the pursuit of
the one truth expressed in human movement, with the harmony of spirit
and body.
(The Canon of Judo, p21)
Jigoro Kano says:
Judo began with the study
of martial arts, and then it gradually became clear that it could be
applied to physical education, intellectual training, moral education,
social interaction, management and people's everyday lives. Some
people believe that judo simple means practicing at the dojo. (...)
(...) Though it is certainly one aspect of judo, it is only a small
part of it. With Judo, in every endeavor you must imagine the best
goal and use your mental and physical energy in the most effective
manner in order to accomplish that goal - put simply: seiryoku zenyo
is that what today's Judo is. For that reason judo is not merely a
martial art, but more the basic principle of human behavior.
Mind over Muscle p.77
Where did all this came
from? Jigoro Kano was a man who melted things like: religion,
philosophy, martial arts. East and West, it did not matter, as long as
it's practical experience and practicable. He was a real syncretist, but
despite the diverse sources of the Kodokan judo is his way a clear
concept:
Kano felt a natural
synthesis between his Japanese old culture, Chinese philosophy, and
Western sport theory. After he opened his school at Eishoji Temple, he
named his style Kodokan Judo, to not only distinguish it from ju jitsu
and earlier judo schools, but to emphasize that this was something
new: a martial art that stood for a martial philosophy consistent with
ancient Chinese concepts of Taoist concepts of daily life, and, as
importantly, a philosophy based upon European ideas of societal
progress by individual endeavor. "We all go forward together" was an
idea that Kano readily embraced, and expressed as a guiding principle
"Jita kyoei," literally, "going forward, shining together." This was
not a concept with tangible roots in any Oriental system of
philosophy. Reorganizing ju jitsu principles into an efficient,
scientific method of movement, he added the physical principle of
maximum efficiency, minimum effort, as "Seiryoku zenyo." This too,
appears to have come from English philosophy, although it blended
nicely with Taoist thoughts Kano found in Chinese literature.
Daigaku Judo Dojo MT USA
That is Kodokan judo: Seiryoku Zenyo
as a means and Jita Kyoei as the purpose. A radically new way.
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a.
Kodokan judo: the way of the spirit
and the goal
About the complete
history of the Kodokan exists an excellent web page. We recommend the
Daigaku Judo Dojo at the University of Montana ...
(Click on the image right) The following text has been taken
from this webpage
The way |
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The "Do" ending had
enormous philosophical meaning. It was Japanese for the Chinese word
"Tao." The Do form of martial art was a new concept. In place of older
accumulations of technical skills, Judo linked these technical
applications to the idea of philosophy and ethical application. The idea
in Tao was to create a "natural man" free of prejudices, but bound by
the development of character. Training in a prescribed manner toward a
specific ideal of human behavior would elevate both the human and the
human society. Adherents of Tao were to seek understanding of the whole
of life through the intensive study of a segment of it, sensing and
experiencing nature. Self-perfection, the goal of Tao, was ultimately a
Zen concept: of experiencing being the means to enlightenment, rather
than attempting to substitute intellectual analysis for profound
experience.
The
physical experience, then, was useful in this quest only when it
became natural, uninhibited, and spontaneous. Kano saw in British
Philosopher Herbert Spencer's ideas of mutual effort in society to
create a better society the modern, practical expression of these
ancient Chinese concepts, and "mutual welfare and benefit" was a natural
expression of how Kano believed individuals in society should function.
Judo was meant, in its most basic elements, to be a physical expression
of an ideal human society.
note
(see also menu 'jita kyoei')
Kuzushi - the
fundamental difference
But Kano also saw in ju
jitsu the antithesis of his concept of Do. Jujitsu was an amalgam of
ideas and technical skills. The execution of the skills themselves often
required either great strength, or superior leverage. In either case,
damage, injury, disability and even death were not necessarily
intentional, but plausibly accidental outcomes of the confrontational
nature of the techniques themselves. Kano understood the idea of Kuzushi
-- off-balancing prior to the execution of a technique -- had made a
profound difference in both the manner and the strength necessary to
execute a technique. Strong contenders suddenly became relatively weak
when off-balanced. Iikubo, the jujitsu master, had been thrown easily
when kuzushi was applied. (...) Kano, the Chinese literature specialist,
looked back to Lao Tzu for inspiration; a two thousand year old guide to
create a new martial system.
"Off-balancing." It was a new concept. Although it had undoubtedly been
used before, no one had recognized it as an organizing principle.
"Kuzushi." It was one of those "moments" of revelation brought about by
years of hard work, sweat, study, and realization. Suddenly,
the real meaning of "ju" became apparent, and much more obvious. The
word "ju" had been applied to a myriad of physical styles and
techniques, before the true physical nature of the concept was
discovered. "Ju" was effective particularly when "kuzushi" was used. Ju
and kuzushi are not the same thing. Ju is a strategy. Kuzushi is a
tactic. Kano found a most effective tactic to implement the strategy.
(See also menu kuzushi)
Summary by Mitesco
In summary, we can say
what was distinctive of the Kodokan judo-compared with Jujutsu?
-
Syncretism, fusion of
Jujutsu technique with Taoist philosophy and English utilitarianism -
which led to a new and peaceful way as a means to the maximum efficiency
in energy, and balance between mind and body.
-
Ideas of seiryoku zenyo
and jita kyoei as principles of ethical and practical action -
broadening of the martial element to a global form of coexistence and
perfection.
-
Application of Kuzushi
as the principle of martial art with seiryoku zenyo: soft technique wins
against power.
Judo is the way of the highest or most efficient use of both physical
and mental energy. Through training in the attack and defense
techniques of judo, the practitioner nurtures their physical and
mental strength, and gradually embodies the essence of the Way of
Judo. Thus, the ultimate objective of Judo discipline is to be
utilized as a means to self-perfection, and thenceforth to make a
positive contribution to society..
("Kodokan Judo Gaisetsu"
(summary of Kodokan Judo), 1915)
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More about Kodokan-judo and dojo-training: "The Way of Seiryoku
Zenyo-Jita Kyoei and Its Instruction" By Shinichi Oimatsu (Kodokan) The
Bulletin for the Scientific Study of Kodokan Judo, Volume VI, 1984.
Link:
judoinfo.com.

Jigoro Kano in front of the Kodokan
講道館
in Tokyo
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NOTE
TO THE ETHICS OF HERBERT SPENCER
Spencer adopted a utilitarian standard of absolute value: the greatest
happiness of the greatest number of people. The completion of the
evolution (Spencer was except ethicist also Darwinist-sociologist and
admired the principle of "the survival of the fittest") was maximizing
utility. In a perfect society, individuals would not only delight (the
highest purpose of the utilitarists) experienced by the exercise of
altruism ('positive charity'), but also try to avoid suffering to others
to do ('negative charity). They had to respect instinctively the rights
of others, and that leads to the general maintenance of the principle of
justice.
Spencer had influence on the Japanese philosopher Tokutomi Soho, who
believed that Japan was on the edge of becoming from a "military
society" into an "industrial society", and that it was necessary to take
over Western ethics.
Jigoro Kano took a part of that reasoning into the description of the
jita kyoei. We see his concerns about politics come back in his
writings. What he did not take over from utilitarianism was the absolute
standard of joy. Kano was too much in the spiritual school of Tao taught
to enjoy the wicked (and wasting of energy) and let it to be justified.
He therefore adopted the terms and social goals, and filled it with
absolute standards of virtue and definitions of good and evil (which
true utilitarists don't.)
utilitarianism = philosophical ethics, that describes the moral value of
transactions in terms of utility (Latin 'utilis') for the whole.
Normally this means that an utilitarist strives to promote what is the
highest attainable happiness of mankind.
back to the text in the menu 'Seiryoku'.
.
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